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And they photograph one another. They come back as happy as hunters with bulging game bags; they spend days waiting, with sweet anxiety, to see the developed pictures anxiety to which some add the subtle pleasure of alchemistic manipulations in the darkroom, forbidding any intrusion by members of the family, relishing the acid smell that is harsh to the nostrils. Everything else can drown in the unreliable shadow of memory. Seeing a good deal of his friends and colleagues, Antonino Paraggi, a nonphotographer, sensed a growing isolation. Every week he discovered that the conversations of those who praise the sensitivity of a filter or discourse on the of DINs were swelled by the voice of yet another to whom he had confided until yesterday, convinced that they were shared, his sarcastic remarks about an activity that to him seemed so unexciting, so lacking in surprises.

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He collected the photographs in an album: you could see ashtrays brimming with cigarette butts, an unmade bed, a damp stain on the wall. Perhaps true, total photography, he thought, is a pile of fragments of private images, against the creased background of massacres and coronations.

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Everything else can drown in the unreliable shadow of memory. Whether or not it could be defined as jealousy, it was, in any case, a passion difficult to put up with. He got the idea of composing a pbotography of everything in the world that resists photography, that is systematically omitted from the visual field not only Sybjects camera but also by human beings. They come back as happy as hunters with bulging game bags; they spend days waiting, with sweet anxiety, to see the developed pictures anxiety to which some add the subtle pleasure of alchemistic manipulations in the darkroom, forbidding any intrusion by members of the family, relishing the acid smell that is harsh to the nostrils.

He approached Bice, began to unbutton the dress at the neck and over the bosom, and slip it down over her shoulders. One of the first instincts of parents, after they have brought into the world, is to photograph it. No, head a bit farther; raise your eyes. He made her sit in a big armchair, and stuck his head under the black cloth that came with his camera.

5 photography ideas for when there’s nothing interesting to shoot

It seemed in perfect working order. To get all this into one photograph he had to acquire an extraordinary technical skill, but only then would Antonino quit taking pictures. He made her change position several times, studying the geometry of legs and arms in relation to the racket and to some element in the background. This is the only way that the rolls of exposed film will represent a faithful diary of our days, with nothing left out.

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He even had a set-up for photographing her when she was asleep at night. From his immobility he was surprised to find he envied the life of the news photographer, who moves following the movements of crowds, bloodshed, tears, feasts, crime, the conventions of fashion, the falsity of official ceremonies; the news photographer, who documents the extremes of society, the richest and the poorest, the exceptional moments that are nevertheless produced at every moment and in every place.

In a scuffle for the ball, Bice, flinging herself on the other girl, who was submerged, was snapped with her behind in close-up, flying over the waves. He should start with the exterior elements of her appearance. He made her change position several times, studying the geometry of legs and arms in relation to the racket and to some element in the background. They had arranged to meet at the photography shop.

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Like that. Like that. Reflecting like this, he began to tear up the photographs with Bice or without Bice that had accumulated during the months of his passion, ripping to pieces the strips of proofs hung on the walls, snipping up the celluloid of the negatives, jabbing the slides, and piling the remains of this methodical destruction on newspapers spread out on the floor. He was accused of doing this on purpose, reproached for making a joke in poor taste.

Antonino now felt a special pleasure in portraying domestic objects framed by a mosaic of telephotos, violent patches of ink on white sheets.

And they photograph one another. No, head a bit farther; raise your eyes.

The first times, an awkward stiffening of his arm would make the lens veer to capture the masts of ships or the spires of steeples, or to decapitate grandparents, uncles, and aunts. No, it was better before. photograaphy

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Antonino also bought an assortment of plates. And soon Bice left him. In photogdaphy end he managed to get hold of a box camera, with a bulb to squeeze.

Now he felt that something in the essence of photographic man was eluding him, the secret appeal that made new adepts continue to the ranks of the amateurs of the lens, some boasting of the progress of their technical and artistic skill, others, on the contrary, giving all the credit to the efficiency of the camera they had purchased, which was capable according to them of producing masterpieces even when operated by inept hands as they declared their own to be, because wherever pride aimed at magnifying the virtues of mechanical devices, subjective talent accepted a proportionate humiliation.

And they photograph one another.

He observed Bice. He had thought of certain nineteenth-century photographs of women in which from the white of the cardboard emerge the face, the neck, the line of the bared shoulders, while all the rest disappears into the whiteness. The taste for the spontaneous, natural, lifelike snapshot kills spontaneity, drives away the present. His antiphotographic polemic could be fought only from within the black box, setting one kind of photography against another.

Did he want to photograph dreams? She laughed, a bit slyly, bending her head to one side. A choice in the idyllic sense, apologetic, consolatory, at peace with nature, the fatherland, the family.

He consented, but since in the meanwhile he had worked out a theory in opposition to snapshots, he dutifully expressed it to the two friends: "What drives you two girls to cut from the mobile continuum of your day these temporal slices, the thickness of a second? An official photograph, or one of a marriage or a family or a school group, conveyed how serious and important each role or institution was, but also how far they were all false or forced, authoritarian, hierarchical.

The line between the reality that is photographed because it seems beautiful to us and the reality that seems beautiful because it has been photographed is very narrow.

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It was an invisible Bice that he wanted to possess, a Bice absolutely alone, a Bice whose presence presupposed the absence of him and everyone else. Bice obediently followed his orders even when they became vague and contradictory, with a passivity that was also a way of declaring herself out of the game, and yet somehow insinuating, in this game that was photogrzphy hers, the unpredictable moves of Subjectts mysterious match of her own.

The photographs in the papers were photographed as well, and an indirect bond was established between his lens and that of distant news photographers. But since the continuity of their habits, their getting together, had never lapsed, Antonino could pretend that nothing had changed with the passage of the years and that they were still the band of young men and women of the old days, rather than a conglomerate of families in which he remained the only surviving bachelor.

The first times, an awkward stiffening of his arm would make the lens veer to capture the masts of ships or the spires of steeples, or to decapitate grandparents, uncles, and aunts.

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One of the first instincts of parents, after they have brought into the world, is to photograph it. An official photograph, or one of a marriage or a family or a school group, conveyed how serious and important each role or institution was, but also how far they were all false or forced, authoritarian, hierarchical. Whatever person you decide to photograph, or whatever thing, you must go on photographing it always, exclusively, at every hour of the day and night.

The line between the reality that is photographed because it seems beautiful to us and the reality that seems beautiful because it has been photographed is very narrow. Bice obediently followed his orders even when they became vague and contradictory, with a passivity that was also a way of declaring herself out of the game, and yet somehow insinuating, in this game that was not hers, the unpredictable moves of a mysterious match of her own.

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